Caroline Carlsmith participated in Dr. Brian Castriota’s 2021 seminar on the conservation documentation of time-based media (TBM) art at the Conservation Center of the Institute of Fine Arts at New York Univ...
This IMMA Magazine is a transcribed interview between IMMAxDAS artist-in-residence, Salvatore of Lucan and his sister, writer Gabrielle Fullam, discussing about family, identity and painting the personal. ...
A recent collaboration encouraged Non Consultant Hospital Doctors to immerse themselves in art and experience a world completely removed from work. ‘The Art of Healing’ event, a collaboration between IMMA...
Kind Words Can Never Die is a visually stunning new site-specific installation created by Navine G. Dossos for IMMA’s iconic 17th century Courtyard. Commissioned as part of IMMA Outdoors, Kind Words Can Neve...
Sarah Hayden is a writer and academic who is currently researching voice in art. Here she reflects on Dennis McNulty's installation I reached inside myself through time, a work from IMMA's collection that dr...
In this article, Charlotte Salter-Townshend writes about the biodiversification of IMMA's artist in-residence Clodagh Emoe’s sited project Crocosmia ×. Reflections on a Radical Plot offers insights into the ...
IMMA commissioned this magazine article by Dr Patricia Shaw on the occasion of the recent acquisition of Marie Brett’s new work Yes, But Do You Care? to the IMMA Collection. This work was made during Brett’s...
Research is central to the work of IMMA and thanks to funding from the Irish Research Council, IMMA is benefitting from the knowledge of a number of research fellows. Dr Stephen O’Neill has been awarded an I...
Sarah Allen, curator at Tate Modern interviews Jan McCullough, IMMA Residency artist, about the role of photography in her work, what informs her methodology with the artform, how her practice has evolved wi...
IMMA's Head of Collections, Christina Kennedy, introduces us to The Artist's Mother, a project created in responses to the Freud Project. Inspired by Lucian Freud’s paintings of his mother, Lucie, the projec...
In association with the Visual Voices Project 2021 presented at IMMA, we invited Julie Daniel, the coordinator of the DCU University of Sanctuary Mellie programme with Veronica Crosbie, to share her insights...
Patricia Brennan, Visitor Engagement Team at IMMA and PG student at TCD, engages with the art of renowned realist painter Dame Paula Rego, in an introduction to Rego’s solo exhibition Obedience and Defiance ...
Beth O’Halloran, Visitor Engagement Team at IMMA/lecturer at NCAD, looks at the transgressive role of female artists as cultural ethnographers – in particular the artist as flâneuse. Included are references ...
In this article Lisa Moran, Curator of Engagement & Learning Programmes at IMMA, considers the current debates about the role of statues and monuments in terms of the role of the Royal Hospital Kilmainham as...
Over recent weeks IMMA has been preparing for re-opening, as restrictions have been reduced nationwide, we are delighted that the grounds at IMMA are now once again fully open to the public. In this article,...
Besides such places as The Stonewall Inn, there are few physical places that are part of LGBTQ I+ cultural history - Derek Jarman's Prospect Cottage is one of them. Writer and filmmaker Susan Thomson takes u...
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