Free Family Day’s Out at IMMA as part of SUMMER RISING: The IMMA Festival

The Irish Museum of Modern Art presents, SUMMER RISING: The IMMA Festival, with a line-up of events that invites everyone to come and enjoy a jam packed programme with something for all ages from Friday 18 July to Saturday 26 July 2014. As part of SUMMER RISING, on Saturday 19 and Saturday 26 July, IMMA presents two days of free day long activities for families to enjoy from 12noon to 5pm.

Highlights on Saturday 19 July include a workshop in decorating your own Edible Gingerbread Canvas where you can feast on your own creation; join in on an electro-pop céilí with dance duo Up and Over It; drop into our day long art workshop inspired by the Hélio Oiticica exhibition, play an instrument in our musical garden with the Trade School/Laptop Orchestra, Rocketman will lead the whole family through ways to pickle and preserve your vegetables, and watch out for our special guest Panti Bliss!

On Saturday 26 July the fun continues, the formal gardens will be alive with sounds as a series of free musical performances pop up in the lawns, with site responsive performances by Seán Mac Erlaine, The BQ Trio, Roland Gomez and rock and pop covers choir The Line Up, and an interactive installation Wow&Flutter by Jimmy Eadie. Join in on our foodie workshops butter making with Imen McDonnell of Modern Farmette, fish smoking with Sally Barnes of Woodcock Smokery, and learn how to forage for Irish seaweed with Sally McKenna.

Taking place in IMMA’s beautiful gardens and historic North Wing, in celebration of the much anticipated exhibition Propositions by Brazilian artist Hélio Oiticica, SUMMER RISING promises to be a joyous celebration of art, music, food, and performance.

Highlights for families at SUMMER RISING include:

The Garden Rising, Saturday 19 July, 12noon – 5pm

12noon onwards: Edible Canvas workshop
Families can choose to feast on their own artistic gingerbread creations after drawing with icing, inspired by images of Hélio Oiticica costumes.

12noon onwards: Day long family art workshop
Make your own colourful art inspired by the Hélio Oiticica exhibition.

12noon onwards: Trade School/Lap top Orchestra create a Musical Garden
Using the hedgerows and pathways in the formal garden as instruments which you are invited to “play".

2:00 – 3:00pm: Join in with dance duo Up and Over It in the formal garden as they continue to stretch the concept of Irish dancing to its limits, including electro-pop, alternative percussion, and contemporary dance in the mix.

2pm – 3.30pm: Pickling workshop with Rocketman
Jack Crotty from Cork will lead the whole family through ways to pickle and preserve your vegetables. Booking required, email [email protected]

The Garden Rising, Saturday 26 July, 12noon – 5.00pm

12noon onwards: Free musical performances will pop up throughout the day in IMMA’s formal gardens, with site responsive performances by Seán Mac Erlaine, The BQ Trio, Roland Gomez and rock and pop covers choir The Line Up. Also presenting an interactive installation Wow&Flutter by Jimmy Eadie. Just come along and enjoy the music.

12noon onwards: Day long family art workshop
Make your own colourful art inspired by the Hélio Oiticica exhibition.

12noon – 1.30pm: Butter making workshop with Imen McDonnell
Imen, or as she is better known Modern Farmette, married an Irish farmer and moved from New York to the farm where she has made butter ever since. She will talk you through making your own using milk from her dairy herd. Booking required, email [email protected]

1.30pm -3pm: Using Irish seaweed with Sally McKenna
Sally will talk us through of the ways to forage and collect the seaweed that lines our shores. They will also introduce ways of cooking and incorporating this nutritious ingredient it into our diet. Booking required, email [email protected]

3.30pm -5pm: Fish smoking workshop with Sally Barnes
Sally will teach you how to creating a biscuit tin smoker and smoke fish caught in the West of Cork. Booking required, email [email protected]

Midweek Events for Families:

Mornings at the Museum
Wednesday and Thursday, 10am – 11am

Free family workshop where where children and parents can explore artworks and making art together.

Babies in Buggies, Parents with Prams
Fridays, 10:45am – 11:30am

Join us for a free tour of selected exhibitions.

Visit imma.ie for a full list of events and for further details. We hope to see you there!

SUMMER RISING will open up our gardens and grounds with day and night time events and is made possible by the OPW Per Cent for Art Scheme.

For further information and images please contact Monica Cullinane or Patrice Molloy at Tel: +353 1 612 9900, Email: [email protected]

10 July 2014

Tickets now on sale for SUMMER RISING: The IMMA Festival

Tickets go on sale today (Tuesday 24 June 2014) for IMMA’s new festival, SUMMER RISING, at www.imma.ie, with a line-up of events that invites everyone to come and enjoy a jam packed programme with something for all ages from Friday 18 July to Saturday 26 July 2014. Taking place in IMMA’s beautiful gardens and historic North Wing, in celebration of the much anticipated exhibition Propositions by Brazilian artist Hélio Oiticica, SUMMER RISING promises to be a joyous celebration of art, music, food, and performance with day-long family events and a programme of night-time events you will not want to miss.

Highlights include a very special edition of THISISPOPBABY’s performance, art and club extravaganza WERK; GRACELANDS annual screening, sculpture and performance event curated by Vaari Claffey, artist and chef curated food events presented by Michelle Darmody and Fiona Hallinan including lunch-time and evening banquets; family workshops with artists, chefs and special guests Up & Over It alternative Irish dance group; Happenings pop-up outdoor cinema, Hare Café and Cake Café on the lawn; live music in the gardens including The BQ Trio, The Line Up, Seán Mac Erlaine, and Roland Gomez; open studios; gallery and garden talks; and the grand finale IMMA’s Summer Party featuring Gang Colours, Donal Dineen and David Kitt (DJ set) with more live acts to be announced.

Hélio Oiticica proposed with his work ways ‘of giving the individual the possibility to ‘experiment’  to no longer be the spectator and become the participant’, and it is in this spirit that IMMA invites you to be part of the SUMMER RISING – to taste, to listen, to look , to enjoy and most of all to take part.

SUMMER RISING will open up our gardens and grounds with day and night time events and is made possible by the OPW Per Cent for Art Scheme.

Buy your tickets for the following events, just click here

WERK at IMMA – HEAT RASH
Friday 18 July at 8:30pm. Tickets €20.00

In a blistering haze of neon and discotheque, live art and performance, the Irish Museum of Modern Art is getting hot waxed for WERK. Performance Sweatshop, Literary Frenzy, Dancefloor Riot & Art Wank: WERK unites underground heroes, phabulous phreaks, drama queens & performance giants in a furious and feverish night of passion. Hatched in the sequinned bowels of the Abbey Theatre, baptised in the mushy fields of Electric Picnic, and deflowered on the banks of the Yarra at Melbourne International Festival, WERK drags her bacon back to Dublin for a one-off epic summer sizzler. It’s a block party. Clock in – WERK out!

Concrete Tiki’s The Hare
Saturday 19 July 12noon – 5.00pm. Tickets €20.00

Artists Daniel Tuomey and Tom Watt have been commissioned to construct the Concrete Tiki in the IMMA Formal Gardens from which both The Hare (on Saturday 19 July) and The Cake Café (on Saturday 26 July) will operate hourly food sittings. The Hare is a food project devised by artist Fiona Hallinan and chef Katie Sanderson. On Saturday 19 July, a set menu will feature a signature dish of The Hare, the 3-in-1: a board of mostly raw, locally sourced, plant-based produce and Dublin Sourdough bread and dips including drinks and a super-food dessert. A specially devised children’s menu will also be available upon request. Children’s tickets (€10.00) do not need to be pre-booked.

The IMMA Banquet
Friday 25 July at 7.00pm. Tickets €50.00

IMMA’s Great Hall hosts a feast curated by Michelle Darmody of The Cake Café with chef Jess Murphy of Kai restaurant in Galway and artist Mark Garry creating a very unique setting for 100 guests. Before the banquet doors open, Head of Exhibitions at IMMA, Rachael Thomas is giving a special private tour of the Hélio Oiticica exhibition Propositions at 7.00pm exclusive to Banquet guests. A complementary cocktail will be served upon arrival and select wines are available.

Concrete Tiki’s The Cake Café
Saturday 26 July 12noon – 5.00pm. Tickets €20.00

The Cake Café is serving a set menu throughout the day of locally sourced Irish ingredients for a sit-down three course lunch. Michelle Darmody of The Cake Café has commissioned the Dublin design studio Distinctive Repetition to create bespoke serving platters for the lunch that guests get to take home!

IMMA Summer Party
Saturday 26 July at 7.30pm. Tickets €15.00

SUMMER RISING comes to an end with the IMMA Summer Party. The night includes specially curated food and cocktails by House in Cork Opera House and Luncheonette, a specially commissioned edition of GRACELANDS, featuring artists’ film and interventions, DJ sets from Donal Dineen, David Kitt, Emmet Condon, 11:11 and the first Irish performance of Gang Colours.

Other highlights of SUMMER RISING include:

Weekend Events:
Friday 18 July at 7.00pm – Opening reception of the exhibition Propositions by Brazilian artist Hélio Oiticica. 

Saturday 19 July 12noon – 5.00pmThe Garden Rising; a daytime celebration of art, food and performance for all ages taking place in IMMA’s stunning gardens with food workshops and Up & Over It.

Saturday 26 July 12noon – 5.00pm – The Garden Rising continues. The 18th century formal gardens will be alive with sounds as a series of free musical performances pop up in the lawns, with site responsive performances by Seán Mac Erlaine, The BQ Trio, Roland Gomez and rock and pop covers choir The Line Up, an installation Wow and Flutter by Jimmy Eadie, and look out for pickling workshops with The Rocket Man, fish smoking with Sally Barns, butter making with McNally Family Farm, an edible canvas workshop for children and open studios with our resident artists.

Midweek Events:
Tuesday 22 July – Thursday 24 July – Free family workshops each morning. Artist Rhona Byrne will lead two Summer camps for teens. IMMA Mediators will also be out and about talking to visitors about the artworks and items of interest in the gardens and grounds.
All day-time activities free. Click here for further updates.

Supported by OPW Per Cent for Art Scheme

For further information and images please contact Monica Cullinane or Patrice Molloy at Tel: +353 1 612 9900, Email: [email protected]

24 June 2014

IMMA presents an exhibition of new work by Irish artist Isabel Nolan

The weakened eye of day
7 June – 21 September 2014

A new body of work, The weakened eye of day, by Irish artist Isabel Nolan, conceived as a single project for IMMA, opens to the public at the Irish Museum of Modern Art on Saturday 7 June 2014. The exhibition explores how light manifests as a metaphor in our thoughts, obsessions and pursuits and includes text, sculpture, drawings and textiles. Nolan’s works begin with the close scrutiny of individual literary or artistic works, or evolve out of consciously erratic enquiries into the aesthetics of diverse fields, such as cosmology, humoral theory, and illuminated manuscripts.

The exhibition takes its title from Thomas Hardy’s poem The Darkling Thrush (1899), in which the sun, described as ‘the weakening eye of day’, is a dismal star drained of its force by a gloomy pre-centennial winter afternoon. As the sun’s gaze weakens, so flags the spirit of the poet who, until interrupted by birdsong, sees only the inevitability of death in the cold world around him. This show is a material account of the strangeness of the world from the formation of the planet’s crust to the death of the sun and the enduring preoccupation with light as a metaphor for truth. 

Nolan’s works both seduce and disarm us. Her work is underpinned by a desire to examine and capture in material form the moments of intensity that can define our encounters with the objects around us; inexplicable and unsettling moments that leave us with a heightened awareness of what is means to be alive. For Nolan this exploration happens through making things – whether these things are sculptures, textiles, photographs or texts, monumental or intimate in scale, they are presented to us as tentative and precarious markers of the experience of our place beneath the sun.

The weakened eye of day presents the process of making in its expanded form and as part of the exhibition there will be a series of talks by guests, invited by Nolan, on subjects ranging from cosmology, philosophy and aesthetics. These talks and events are part of the on-going investigative enquiries that inform The weakened eye of day and Nolan’s practice.

Isabel Nolan’s recent solo exhibitions include ‘Unmade’, the Return Gallery, Goethe Institut, Dublin (2012) and ‘A hole into the future’, The Model, Sligo (2011–12), which travelled to the Musée d’Art Moderne de Saint-Etienne, France (2012). Nolan was one of seven artists who represented Ireland at the 2005 Venice Biennale in a group exhibition, ‘Ireland at Venice 2005’. Recent group shows include ‘Nouvelle Vague’, Palais de Tokyo, Paris (2013); ‘Sculptrices’, Villa Datris, Fondation pour la Sculpture Contemporain, France (2013); ‘Modern Families’, Lewis Glucksman Gallery, Cork (2013).

Isabel Nolan, The weakened eye of day is curated by Sarah Glennie, Director, IMMA, and aspects of the exhibition will travel to Mercer Union, Toronto and Vancouver’s Contemporary Art Gallery.

Talks Series

Lecture | Stuart Clark presents The Sky’s Dark Labyrinth
Saturday 7 June, 1.00pm, Lecture Room

Award winning author and astronomer, Dr Stuart Clark tells the story of how single observations by astronomers have transformed our view of the universe and our place within it.

IMMA+ MA Art in the Contemporary World, NCAD
Seminar | Art in the Contemporary Universe
Saturday 20 September, 12noon, 2014, Lecture Room

This seminar explores realms of science, aesthetics and philosophy, and what Italo Calvino calls the ‘overambitious projects’ in contemporary culture, narratives in science and the cosmological turn in recent philosophy. Chaired by Paul Ennis and Declan Long (Lecturers, MA Art in the Contemporary World, NCAD, Dublin).
 
Booking is essential. For free tickets and a full programme of talks see www.imma.ie/talksandlectures

Thanks to the Donkey Sanctuary irl. Liscarroll, Mallow. Co. Cork. for their assistance.

The exhibition is kindly supported by the Dylan Hotel, MRCB Paints & Papers and THE IRISH TIMES.

For further information and images please contact Monica Cullinane or Patrice Molloy at Tel: +353 1 612 9900, Email: [email protected]

22 May 2014

International Symposium: Examining Eileen Gray takes place at IMMA

An international symposium examining the life, work and legacy of Eileen Gray, one of the most celebrated and influential designers and architects of the 20th-century, will be held at the Irish Museum of Modern Art on Tuesday 13 May and Wednesday 14 May 2014. The symposium is presented in association with the Centre Pompidou, Paris in advance of the much anticipated opening of the restored villa E-1027 in 2015 and following the recent successful exhibition Eileen Gray Architect Designer Painter attended by some 80,000 visitors to IMMA.

The symposium investigates the extraordinary achievements by Gray that went unrecognised until her 90s and focuses on the collaborations and friendships that most shaped her design concepts. Amongst the speakers taking part are: Peter Adam (Filmmaker and Author, Eileen Gray Her Life and Work, 2009) who will discuss his close working friendship and memories of Eileen Gray; Beatriz Colomina (Architectural Historian and Professor of History and Theory of Architecture, Princeton University, USA) who will discuss her research into the unique circumstances of villa E-1027’s creation, history and controversy; Philippe Daniel Garner (Director of Christie’s Auctions and Sales, London) will explain how research into Gray’s work was the impetus into his design interests (In 2009, Christie’s sold a Gray armchair at auction in Paris for €21.9 million, setting an auction record for 20th-century decorative art) and Joseph Rykwert (Architectural Historian, Critic and 2014 RIBA Gold Medalist) who will explore how Gray’s  all-embracing work remains a puzzle in the history of architecture, and is one of the most fascinating episodes in the development of European Modernity. All speakers will look at the importance of and critical role women have played within the evolution of architectural theory and design of the 20th and 21st Centuries. 

See full programme and a list of speakers for the symposium below.

Tickets  €25.00. Purchase tickets from showclix at http://www.showclix.com/event/EileenGraySymposium  
Concessions €15.00, Seniors, Unwaged and Students; valid ID required. Email your concession requests to [email protected]                                                                                                                                
Ticket lines close Monday 12 May 2014.

For further information and images please contact Monica Cullinane or Patrice Molloy at Tel: +353 1 612 9900; Email: [email protected]

28 April 2014

PROGRAMME

Tuesday 13 May 2014

6.00pm Wine Reception + Registration
6.30pm Prelude Discussion My friend Eileen Gray
Peter Adam (Filmmaker and Author, Eileen Gray Her Life and Work, 2009) opens the symposium.

Screenings of documentary on Eileen Gray, Lecture Room  

Wednesday 14 May 2014

9.30am Tea/Coffee and Registration 

10.00am Chairpersons Address
Kathleen James-Chakraborty (Professor of Art History, University College Dublin) introduces Gray’s work within the historical framework of Bauhaus design.    

10.15am Presentation on Eileen Gray, Architect, Designer, Painter – new discoveries                                         
Cloé Pitiot (Curator of Design, Centre Pompidou, Paris)           

10.45am Presentation on Seizo Sugawara, an enduring collaborator                                                
Ruth Starr (lecturer, Arts of Japan in the History of Art and Architecture, TCD)  

11.05am Presentation on Eileen Gray’s Irish Roots
Jennifer Goff (Curator, National Museum of Ireland, Dublin)

11.25am Panel Discussion and Questions & Answers                                                                                                         
Kathleen James-Chakraborty steers a discussion with Cloé Pitiot, Ruth Starr and Jennifer Goff looking at Gray’s formative years, creative paths and social challenges as a Total Designer.

11.25am Coffee Interval

11.45am Presentation on Gray at auction – 40 years of discovery
Philippe Daniel Garner (Director of Christie’s Auctions and Sales, London) tells of how his professional activity in the auction world has given him unique opportunities to engage with works by Eileen Gray, including the selling of the Dragons chair.

12.10pm Presentation on Gray’s Participation in the commercial design worlds
Daniel Aram (Managing Director of Aram Designs Ltd, London and worldwide License Holder of Eileen Gray designs) discusses why Gray’s last tasks in the early 1970s included working with Zeev Aram on introducing her designs into the world market.

12.30pm: Discussion and Questions & Answers
Philippe Daniel Garner, Daniel Aram and others discuss the various impacts of commissioning, client partnerships, collecting, manufacturing and the marketplace has had on the evolving reception of Gray’s work over the years.

12.50 – 2.00pm Lunch Break and Screenings, Lecture Room

2.00pm Presentation on E-1027 – A House of ill Repute
Beatriz Colomina (Architectural Historian and Professor of History and Theory of Architecture, Princeton University, USA) on Le Corbusier’s role in the controversy of E-1027.

2.30pm Presentation on E-1027- A house by the sea
Renaud Barrès (Architect and Director of CAUE, Carcassonne, France) discussed how E-1027 suffered greatly in the 1980s, when looted and abandoned, explaining why the subsequent restoration is equally as problematic.

3.00pm Discussion and Questions & Answers       
Kathleen James-Chakraborty, Beatriz Colomina and Renaud Barrès on what we can learn from E-1027 in terms of preserving a modern building’s history and memory.      
           
3.45pm In Conversation – Memory and Modernity
Joseph Rykwert (Architectural Historian, Critic and 2014 RIBA Gold Medalist) and Shane O’ Toole (Architect, Historian, Writer and Campaigner for threatened buildings) discuss Rykwert’s infamous article Domus 469 and the architectural community’s rediscovery of Eileen Gray. Questions & Answers. 

4.30pm Final Words
Kathleen James-Chakraborty (Professor of Art History, University College Dublin) and other guests pay their tributes to Gray’s extraordinary achievements, and her legacy as a role model for today’s architects, designers and visual artists. 

4.50pm Close
       
This event is kindly supported by Dylan Hotel, the French Embassy in Ireland, Centre Pompidou, Paris and Aram Stores, London.

With the support of the French Embassy in Ireland http://www.ambafrance-ie.org/

IMMA and IADT present an exhibition, 474: document | work | space, in the Drawing Project, DúnLaoghaire

Exhibition dates: 28 March – 3 April 2014

474: document | work | space, an exhibition resulting from a collaborative project between the Institute of Art, Design and Technology and the Irish Museum of Modern Art, opens to the public at the Drawing Project Gallery, DúnLaoghaire, on Friday 28 March 2014. The exhibition will opened by Christina Kennedy; Senior Curator: Head of Collections, IMMA, on Thursday 27 March at 6.00pm.

The exhibition of works from the IMMA Collection is co-curated by the graduating students of the BA (Hons.) in Visual Arts Practice around the theme of document | work | space and is a component of the seminar studies module at IADT. 

Document | work | space can be read as three separate ‘things’ or as a directive sentence ie. “document work space”. This year the graduating students have responded to the studio contents of the late artist Edward McGuire. The items that the painter surrounded himself in his ‘work space’ have resided, since their donation to IMMA, in a series of purpose built crates in storage. These were documented by the students in the IMMA store and will form part of an exhibition-response in the Drawing Project space. The exhibition will also include a selection of work from the IMMA Collection and student work selected by IMMA curator team, all drawn together by pondering on (the) document |(the) work | (the) space.

In approaching the Edward McGuire studio, the student body took particular interest in the makeshift machines that McGuire had constructed as practicalities, and chose to approach them as pre-sculptural forms. The selection of studio objects within the exhibition comes almost entirely from this category.

In their selection they have also included some of the paint samples from his palette. This stems from an interest in McGuire’s manner of categorization and how this is reflected in IMMA’s archival engagement with the studio contents. The students wished to invoke museological method in their approach to display.

In approaching the IMMA collection the students selected works that posed questions regarding the general theme of document / work / space. The students were interested in the flexibility of these terms and have chosen works that are expressive of that diversity. Works such as Martin Parr’s, The Site of the Stolen Painting, Lissadell House, County Sligo, (1996), and Dennis Oppenheim’s, Reading Position for Second Degree Burn, (1970), fit this category.

Edward McGuire painted numerous portraits of poets, and possessed a large collection of books in his studio. The students chose to reflect McGuire’s engagement with literature in their selection by including works such as Brian O’Doherty’s In The Wake (of) (1963 – 1964) and Apichatpong Weerasethakul Power Boy (2011).

The accompanying documentary, created also by IADT students, considers this directly; interviewing Paul Durcan on his experience of having been painted by McGuire.

Artists included in the exhibition are Richard Deacon, Candida Höfer, McDermott and McGough, Edward McGuire, Rivane Neuenschwander, Dennis Oppenheim, Martin Parr, Anne Tallentire and Apichatpong Weerasethakul. A selection of student’s work selected by Lisa Moran; Curator: Education & Community, IMMA, and Janice Hough; Co-ordinator Artists’ Residency Programme, IMMA, is also being shown as part of the exhibition.

474: document | work | space continues until 3 April 2014. Admission is free.
 
Opening hours:
Monday –Thursday: 11.00am – 6.00pm
Saturday: 11.00am – 6.00pm
Sunday: 12noon – 4.00pm

The Drawing Project is located in DúnLaoghaire town centre; it can be reached easily by public transport and is located directly across the road from both DúnLaoghaire DART station and the 46a Bus terminal.

For further information and images please contact Monica Cullinane or Patrice Molloy at Tel: +353 1 612 9900, Email: [email protected]

24 March 2014

Spring Opening at the Irish Museum of Modern Art

Saturday 5 and Sunday 6 April 2014

Following the success of the Irish Museum of Modern Art’s reopening in October 2013, IMMA is delighted to announce its Spring 2014 opening with the launch of a major retrospective exhibition by internationally acclaimed Indian artist Sheela Gowda. To celebrate the opening of the exhibition Sheela Gowda Open Eye Policy IMMA presents a dynamic programme of exhibitions, activities and events, with something for everyone, on Saturday 5 and Sunday 6 April 2014. 

Highlights include family activities as part of the family exhibition Light Rhythms – create your own sound installation with artist Karl Burke, try out your skills as a DJ with DJ Simon Conway, and contribute to a large scale sculpture in IMMA’s courtyard by artist Julian Wild; attend one of our many curator’s talks on IMMA’s exhibitions throughout the day culminating in a panel discussion with artist Sheela Gowda; attend the official Spring Opening reception at 6pm; and finally for those of you who love to dance attend our ‘90s club night, in partnership with Totally Dublin, with sets by exhibiting artist Haroon Mirza, Donal Dineen and more, taking place in IMMA’s Chapel from 8pm. Please see weekend line up below for full details and times.

The exhibition by Sheela Gowda, Open Eye Policy, is an overview of her work from 1992 to 2012. This exhibition provides Irish audiences the opportunity to discover the work of this extraordinary artist, who this year was nominated for the prestigious Hugo Boss Prize. The exhibition presents artworks never exhibited together and constitutes the basis for a proper evaluation of the artist’s historical and cultural significance.

Gowda works with pre-industrial materials such as cow dung, thread, string, and wooden chips but also with ‘waste’ from the economic activity of today’s India such as steel tar drums and plastic tarpaulins. The artworks in the exhibition can be divided into different, though interlinked, sections regarding early studies, works with cow dung, smaller sculptures, large-scale installations and works on paper. Born 1957 in India, Gowda trained as a painter, and is best known for her sculptural installations. The theme of her artistic expression goes from an interest in abstraction and materials, to the engagement with politics, the environment and society. Gowda lives and works in Bangalore.

Our Spring Opening is also a chance for visitors of all ages to discover the full breadth of IMMA’s Spring programme with five other exhibitions on view, these include the recently opened exhibition by renowned British artist Haroon Mirza, Are jee be?, a new body of work created in direct response to the environment and architecture of IMMA, and from IMMA’s Collection a striking red neon text installation, Line Writing, 1994, by Laos born artist Vong Phaophanit.

Spring Opening Line up!

SATURDAY 5 APRIL

DAYTIME

VISIT EXHIBITIONS:

– Opening of Sheela Gowda Open Eye Policy
– Patrick Scott Image Space Light
– Are jee be? Haroon Mirza
– Family Exhibition Light Rhythms
– Vong Phaophanit Line Writing
– One Foot in the Real World

LECTURE

In Conversation with Sheela Gowda
5.00 – 6.00pm, Johnston Suite

Sheela Gowda discusses her work with co-curators Annie Fletcher and Grant Watson, and reflects on their shared experiences of developing the retrospective exhibition for its touring venues.                                      
Booking is required. Free tickets are available online at www.imma.ie/talksandlectures.ie

CURATORS TALKS

Guest Curator’s Gallery Tour | Annie Fletcher
4.00pm – 4.30pm, East Wing Galleries

Annie Fletcher (Curator Exhibitions, Van Abbemuseum Eindhoven) leads a gallery introduction to the Sheela Gowda exhibition.
Booking is essential. Free tickets online at www.imma.ie/talksandlectures.ie                                                                                                                                                 

Curators’ Gallery Talks on Current Exhibitions
Meeting Point: Main Reception

In a series of short introductions in the galleries, IMMA’s curatorial team invites you to explore selected works featured in the current exhibitions.

12.30pm – 1.00pm Patrick Scott Image Space Light presented by Johanne Mullan
1.15pm – 1.45pm Vong Phaophanit Line Writing presented by Marguerite O’Molloy
2.00pm – 2.30pm Are jee be? Haroon Mirza presented by Séamus McCormack

No booking is required. Numbers are limited.

FOR FAMILIES

Light Rhythms – Family Exhibition
The Project Spaces

Light Rhythms is an exhibition about sound, light and line that is activated by families and young people of all ages. The artworks explore sound, space, light and colour, so why not drop in to test out how you can manipulate and influence these elements. Stop and listen, consider how you can change the sound in the room. Use your body to create your own Patrick Scott inspired image.

Help us to make a large-scale sculpture – Making the Connection
12noon – 4.00pm, IMMA Courtyard

Contribute to a large-scale sculpture, Making the Connection by artist Julian Wild, in our courtyard. Using plastic plumber’s tubing and elbow joints, Making the Connection is made from one continuous line of over 300 metres of tubing, everyone is encouraged to add to this free flowing sculpture that explores the space that it exists in.

Learn how to DJ
12noon – 2.00pm (for children 7+), The Project Spaces

Drop in and try out your skills as a DJ with DJ Simon Conway of Forza Italo and Wave Forza. Learn the fundamentals of DJing with vinyl records and try out a few DJ tricks on the decks. Not to be missed!

Create your own Sound Art
12noon – 4.00pm, The Project Spaces

Join artist Karl Burke, whose sound artwork Compositions 1-36 (created in collaboration with Russell Hart) is in our Light Rhythms exhibition, to explore listening and to work together to create your own sound installation.

Drop in for as little or as long as you like, no booking required.

TEENS

Sound Workshop for 13 to 18 year olds
1.30pm to 3.30pm, Studio and The Project Spaces

Especially designed for teens meet sound artist Karl Burke to create your own sound compositions and meet DJ Simon Conway to learn the fundamentals of Djing and to learn a few DJ tricks! To book email: [email protected]

FILM

Film Screening | Patrick Scott Golden Boy
10am – 5.00pm, 50mins on a loop (Screened on the hour), Lecture Room
                                                                                                  
Golden Boy is the most definitive film portrait of one of Ireland’s most famous artists. The film charts the artist’s journey from his childhood in Cork and his embracing of modernism when he encountered the White Stag Group during WW2. Scott recalls his time as an architect with Michael Scott before he decided to be a full time painter in the early ‘50s. Locations include his home and studio in Dublin and his family home Kilbrittain County Cork. The film features his great friends Seamus Heaney, Dorothy Walker and Stephen Pearce. Scott takes centre stage alongside his best friends, his cats! No booking required.

Produced by Maria Doyle Kennedy and Andrea Pitt for Mermaid Films, Directed by Sé Merry Doyle, Music by Kieran Kennedy.

SATURDAY NIGHT

Spring Opening Reception
6.00 – 8.00pm

IMMA presents ’90s Club Night in association with Totally Dublin
8.00pm – Midnight, the Chapel

IMMA has teamed up with Totally Dublin to present a Club Night that will transport you back to the ‘90s Dublin club scene. Artist Haroon Mirza, whose new project Are jee be? is showing at IMMA until 8 June, will headline a retrospective of the music that created the Dublin rave scene. Featuring sets by DJs Donal Dineen (2FM), Adrian Dunlea (Sir Henry’s, Cork) and Totally Dublin DJs this night is a tribute to club nights such as the System, Orbit and Dance Crazy. Tickets are €10.00 and can be booked online at www.imma.ie and on the IMMA Facebook Page.
The event is kindly sponsored by Tiger Beer, The Picture Works and Damson Diner.

 
SUNDAY 6 APRIL

VISIT EXHIBITIONS:

– Opening of Sheela Gowda Open Eye Policy
– Patrick Scott Image Space Light
– Are jee be? Haroon Mirza
– Family Exhibition Light Rhythms
– Vong Phaophanit Line Writing
– One Foot in the Real World

FOR FAMILIES

Light Rhythms – Family Exhibition
The Project Spaces

Light Rhythms is an exhibition about sound, light and line that is activated by families and young people of all ages. The artworks explore sound, space, light and colour, so why not drop in to test out how you can manipulate and influence these elements. Stop and listen, consider how you can change the sound in the room. Use your body to create your own Patrick Scott inspired image.

Explorer Family Workshop
2.00pm – 4.00pm, The Projects Spaces

Join us for the family workshop Explorer to explore the Light Rhythms exhibition. All free and lots of fun!

Drop in for as little or as long as you like, no booking required.

For further information and images please contact Monica Cullinane or Patrice Molloy at Tel: +353 1 612 9900; Email: [email protected]

20 March 2014

Editors Notes:

Further information on exhibitions at IMMA:

Sheela Gowda Open Eye Policy
5 April – 22 June
IMMA presents a major retrospective exhibition of the work of acclaimed Indian artist Sheela Gowda. Gowda’s use of symbolically charged techniques, materials and colours offers narratives reaching beyond the abstract forms used. Juxtaposing and contrasting rural and urban life, the artist conjures up the continuing strength and vulnerability of human nature through different approaches, inviting a host of interpretations.
In selected works cow dung is used on the picture surface as well as in sculptures, taking the shape of a dense pigment on paintings and of concrete material in sculptural installations such as Stock.The most significant large-scale installations include Kagebangara, Of All people, And… and Some Place, are made from materials as diverse as threads coated in KumKum (a red organic pigment used on the forehead and in rituals), flattened tar barrels (from which road workers make temporary shelters), metal piping, woven hair ropes and small wooden figures with votive functions.

Born 1957 in India, Gowda trained as a painter, and now works with a variety of media and material, which are often presented as installations. Selected international exhibitions include Documenta 12, 2007; Sharjah Biennale 2008, 53rd Venice Biennale 2009; and Singapore Biennial 2011. She has had solo exhibitions at InIVA London; NAS Gallery, Sydney; OCA, Oslo; Bose Pacia Gallery, New York, and GallerySKE, Bangalore. Gowda lives and works in Bangalore.

This exhibition is co-curated by Annie Fletcher and Grant Watson and is a touring project co-produced with Van Abbemuseum Eindhoven, Lunds Konsthall and IMMA. The exhibition has been shown at the Van Abbemuseum and Lunds Konsthall and is currently showing at the Centre international d’art et du paysage, Vassivière Island, France.

Patrick Scott Image Space Light
Garden Galleries, IMMA, 16 February – 18 May
VISUAL Centre for Contemporary Art, Carlow, 16 February – 11 May

IMMA and VISUAL, Carlow, are delighted to present a major exhibition of the work of Irish artist Patrick Scott, showing across the two venues as a single exhibition. Patrick Scott: Image Space Light brings together the most comprehensive representation of this remarkable artist’s 75 year long career. The exhibition brings together more than 100 pieces that illustrate the breadth and longevity of his career as an architect, designer and artist.
Admission: €5.00 full price, €3.00 concession (senior citizens, unwaged), under 18’s and those in full time education free. Admission free for all on Fridays.

Are jee be? Haroon Mirza
Until 8 June 2014

The first solo museum exhibition in Ireland by the renowned British artist Haroon Mirza, Are jee be?, is a new body of work created in direct response to the environment and architecture of IMMA. Thematically, the body of work is entitled The System, 2014, and can be read as one work. The title references the name of the Dublin based ‘90s underground nightclub venue System, which although only in existence for a few years was an important element in the history of dance music in Dublin, a music genre that has been a key influences on the artist’s work. Mirza’s new project, Are jee be?, combines a variety of readymade and time-based materials to create audio compositions, which are often realised as site-specific installations. In doing so, he complicates the distinctions between noise, sound and music.

The exhibition features remnants of the recent Eileen Gray exhibition at IMMA. Occupying the same gallery spaces, the Gray exhibition acts as a ‘readymade’ from which Mirza remixes elements to create a new visual and sonic installation. Recently invited to complete a project in Le Corbusier’s Villa Savoye (with whom Gray had a legendary and turbulent affiliation) at Poissy in the outskirts of Paris, the opportunity for Mirza to feature elements of the Eileen Gray exhibition for his own purposes sets up an interesting counterpoint in which to experience his own innovative work practice.

Vong Phaophanit Line Writing
8 March – 11 May

IMMA is delighted to re-install Line Writing by Vong Phaophanit which continues the presentation of complex single-room installations made for the IMMA building. Line Writing was commissioned by IMMA as part of a series of exhibitions which took place in 1994, titled From Beyond the Pale. This striking red neon text work is installed under the floorboards of the East Ground Galleries; it is literally enmeshed in the fabric of the building. The work is best experienced during the early months of the year, when lower daylight levels and daylight saving offer optimum conditions for viewing the striking impact of red neon light illuminating the 17th-Century colonnade.

One Foot in the Real World
12 October 2013 – 14 April 2014

Drawing on IMMA’s Collection, One Foot in the Real World, includes works that explore the urban environment, the everyday or the domestic. Prompted by the recent Eileen Gray, Leonora Carrington and Klara Lidén exhibitions; the exhibition One Foot in the Real World addresses the psychology of space; scale and the body gravity and transformation. Elements of architecture and design recur as points of departure in the works; such as bricks; the keyhole; the window; the door and the table.

Since its inception in 1991, IMMA’s temporary exhibition programme has given rise to a number of works by internationally renowned artists, made in response to the Museum’s own architecture. Examples include Still Falling, 1991, a massive cast iron and air sculpture by Antony Gormley and Juan Muñoz’s Dublin Rain Room, 1994, a scale model of one of the gallery spaces where it perpetually rains indoors. These works, which have not been shown since the ‘90s, are re-installed in the rooms for which they were originally conceived.

Series of discussions exploring art and digital culture at IMMA

The Irish Museum of Modern Art and the Goethe Institut present Lunch Bytes, an exciting new series of critical discussions that explore art and digital culture. A range of international experts on this subject will offer their perspectives on the impact of the internet on visual arts practice. The first session to launch the series of four discussions in Dublin takes place on Wednesday 12 March 2014 at 6.00pm at IMMA exploring the topic of Film/Video as a Medium.

Lunch Bytes is a series of discussions which examine the increasing use of digital technologies in relation to artistic practices. After having successfully taken place in Washington DC, the series will now be presented in Dublin. Over the course of 2014, four events will take place, each of which is dedicated to a specific topic. International artists, scholars, designers, curators and intellectuals are invited to give short presentations before engaging in a panel discussion.

The first Lunch Bytes discussion in Dublin invites artists and experts who have worked with, and written about, the medium of film/video to present and discuss their work in relation to traditional art historical disciplines and media, as well as the current digitisation of artistic practice. Speakers include: Chairperson Maeve Connolly (writer, lecturer and researcher, Dublin), Bjørn Melhus (artist, Germany) Stefan Heidenreich, (author and theorist, Center for Digital Culture, Leuphana University Lüneburg) and Saoirse Wall (artist, Dublin).

Lunch Bytes Dublin is part of a larger project organised by the Goethe-Institut in Northwest Europe. In close collaboration with local partners, the Goethe-Institut in Amsterdam, Copenhagen, Dublin, Glasgow, London and Stockholm, will set up discussions about art and digital culture. The events will refer to four major themes: medium, structures and textures, society and life. The project will culminate in an international symposium in Berlin in 2015.

Lunch Bytes is curated by Melanie Bühler (Program Curator at Goethe-Institut Amsterdam) in collaboration with the partner institutions in the listed cities.

Booking is essential. Free tickets are available at www.imma.ie/talksandlectures

For further information and images please contact Monica Cullinane or Patrice Molloy at Tel: +353 1 612 9900, Email: [email protected]

3 March 2014
 

Editors Notes

Biographies

Maeve Connolly
Maeve Connolly is a lecturer in the Faculty of Film, Art & Creative Technologies at Dun Laoghaire Institute of Art, Design & Technology, Dublin. Her publications include a critical history of artists in moving image ‘The Place of Artists in Cinema: Space, Site and Screen’ (Intellect/University of Chicago Press, 2009) and contributions to journals such as Afterall, Artforum, Art Monthly, Frieze, Journal of Curatorial Studies, MIRAJ, Mousse, Screen and The Velvet Light Trap. Her new book, ‘TV Museum: Contemporary Art and the Age of Television’, will be published by Intellect in early 2014.http://www.maeveconnolly.net/index.html

Stefan Heidenreich
Stefan Heidenreich is a writer, theoretician and art-critic who lives and works in Berlin. He is currently working at the Center for Digital Cultures at the University of Lüneburg. His fields of research include network and media theory, economy, and art. Most recently he has written ‘Der Preis der Welt’ (‘Pricing the World’), a book that will be published later this year. http://www.stefanheidenreich.de
http://coredump.buug.de/pipermail/rohrpost/2008-January/011487.html (German article: “Medienkunst gibt es nicht”)

Saoirse Wall
Saoirse Wall is an artist living and working in Dublin. She is currently completing her final year of a BA in Fine Art Media at the National College of Art and Design. Her work consists largely of performative video, images and text, often employing her own image. Much of her practice takes place online. Her work is concerned with expanded identity and the multitudinous self within the globalised world of the internet. She has recently exhibited in: A Light Spray at Portland Museum of Modern Art; Reflections in a Broken Stream at #0000FF, Online; Young Internet Based Artists pavilion as part of The Wrong Digital Art Biennale; National #Selfie Portrait Gallery at Moving Image Fair, London and in Four Floors Above at 30 North Great George’s Street, Dublin.
http://vimeo.com/swall/
http://saoirsewall.tumblr.com
https://twitter.com/saowall/
http://www.youtube.com/user/saowall/

Bjørn Melhus
Bjørn Melhus, born 1966, is a German-Norwegian media artist. In his work he has developed a singular position, expanding the possibilities for a critical reception of cinema and television. His practice of fragmentation, destruction, and reconstitution of well-known figures, topics, and strategies of the mass media opens up not only a network of new interpretations and critical commentaries, but also defines the relationship of mass media and viewer anew. Originally rooted in an experimental film context, Bjørn Melhus’ work has been shown and awarded at numerous international film festivals. He has held screenings at Tate Modern and the LUX in London, the Museum of Modern Art (MediaScope) in New York, and the Centre Pompidou in Paris, amongst others. His work has been exhibited in shows like The American Effect at the Whitney Museum New York, the 8th International Istanbul Biennial, solo and group shows at FACT Liverpool, Serpentine Gallery London, Sprengel Museum, Hanover, Museum Ludwig, Cologne, ZKM Karlsruhe, Denver Art Museum among others. Since 2003 Bjørn Melhus has been Professor for Virtual Realities at the Kunsthochschule Kassel, Germany.
http://www.melhus.de
http://www.youtube.com/user/bjornmelhus

IMMA presents new work by Haroon Mirza

The first solo museum exhibition in Ireland by the renowned British artist Haroon Mirza opens to the public at the Irish Museum of Modern Art on Saturday 8 March 2014. Are jee be? is a new body of work created in direct response to the environment and architecture of IMMA. Thematically, the body of work is entitled The System, 2014, and can be read as one work. The title references the name of the Dublin based ‘90s underground nightclub venue System, which although only in existence for a few years was an important element in the history of dance music in Dublin, a music genre that has been a key influences on the artist’s work. Mirza’s new project, Are jee be?, combines a variety of readymade and time-based materials to create audio compositions, which are often realised as site-specific installations. In doing so, he complicates the distinctions between noise, sound and music.

The exhibition’s title Are Jee Be? is based on the RGB colour model, phonetically written and posing a question to the viewer. The name of the RGB model comes from the initials of the three additive primary colours, red, green, and blue. The main purpose of the RGB colour model is for the sensing and display of images in electronic systems. In the installation System each room will have its own specific sound and colour – red, green and blue.

The exhibition feature remnants of the recent Eileen Gray exhibition at IMMA. Occupying the same gallery spaces, the Gray exhibition will act as a ‘readymade’ from which Mirza will remix elements to create a new visual and sonic installation. Recently invited to complete a project in Le Corbusier’s Villa Savoye (with whom Gray had a legendary and turbulent affiliation) at Poissy in the outskirts of Paris, the opportunity for Mirza to feature elements of the Eileen Gray exhibition for his own purposes sets up an interesting counterpoint in which to experience his own innovative work practice. Mirza’s interest in design and architecture is continually apparent and can be seen in his use of found furniture in earlier works, as well as an understanding of spatial and perceptual relationships within his installations.

The exhibition also features a sequence of Solar Powered LED Circuit Compositions directly from the artist’s studio and a new departure in Mirza’s practice. These panels are controlled and activated by the amount of light in the space, and will change according to the time of day. Mirza also presents, in a new way, the infamous Björk YouTube video in which she poetically explains how she believes a TV works whilst dismantling the device.

Alongside IMMA, Mirza will present solo exhibitions in 2014 at Le Grande Café, Centre d’Art Contemporain, France; and at the Villa Savoye, France. He won the Daiwa Art Foundation Prize (2012)), and was awarded the Silver Lion Award at the 54th Venice Biennale Illuminations (2011), and the Northern Art Prize (2010). He holds an MA in Fine Art from Chelsea College of Art and Design, and an MA in Critical Practice and Theory from Goldsmiths, University of London.

Mirza recently launched the website http://www.o-o-o-o.co.uk/ which invites artists and musicians to download audio samples from his work, remix them, and then upload them back to the site via SoundCloud.

The exhibition is accompanied by a publication supported by Lisson Gallery, London, which includes contributions by Christophe Cox (Professor of Philosophy at Hampshire College, Massachusetts); Michael Eng (Associate Professor, Department of Philosophy, John Carroll University, Ohio); Declan Long (Lecturer and Course Co-ordinator Art in the Contemporary World, NCAD, Dublin); Rachael Thomas (Senior Curator: Head of Exhibitions, IMMA); Séamus McCormack (Projects Co-ordinator: Exhibitions, IMMA); and an interview with Mirza and Hans-Ulrich Obrist (Co-Director, Exhibitions and Programmes and Director of International Projects at the Serpentine Gallery, London).

Exhibition dates: 8 March – 8 June 2014

The exhibition is curated by Rachael Thomas, and assisted by Séamus McCormack and Richard Carr, Programme Assistant: Exhibitions, IMMA.

Talks and Events

In Conversation| Haroon Mirza and Rachael Thomas
Saturday 8 March 2.30pm – 3.30pm, Lecture Room

Haroon Mirza and Rachael Thomas will discuss the development of the project at IMMA, the influence of music and the idea of the ‘readymade’ in relation to Mirza’s practice. Booking is essential for talks. Free tickets are available at www.imma.ie/talksandlectures

‘90s Club Night at IMMA
Saturday 5 April, 8pm – late, the Chapel

IMMA, in partnership with Totally Dublin, presents a ‘90s Club Night. Sets by artist Haroon Mirza, Donal Dineen, Adrian Dunlea (Sir Henry’s, Cork), Totally Dublin DJs. Tickets €10.00. More details to be announced shortly.

For further information and images please contact Monica Cullinane or Patrice Molloy at Tel: +353 1 612 9900, Email: [email protected]

27 February 2014

Announcement from the Irish Museum of Modern Art

The Irish Museum of Modern Art is very sad to announce the death of the great Irish artist Patrick Scott today (Friday 14 February 2014) on behalf of Eric Pearce, partner of Patrick Scott, and the family of Patrick Scott.

The Chairman, Board, Director and staff of IMMA extend their deepest condolences to Eric Pearce and the family of Patrick Scott. Patrick Scott has been a defining figure of Irish art for over 70 years and the retrospective exhibition due to open tomorrow (Saturday 15 February) is testament to his extraordinary career, life and achievements as an artist. He will be sorely missed by the arts community and IMMA is honoured to pay tribute to one of Ireland’s most important artists with this major exhibition on which Patrick Scott worked closely with the curator Christina Kennedy, Head of Collections, IMMA.

It is Eric Pearce and the family’s wish that the launch of the exhibition Patrick Scott:  Image Space Light proceeds as planned tomorrow afternoon, at 3.30pm, as a celebration of Patrick Scott’s life and work.

For media enquiries please contact Monica Cullinane or Patrice Molloy at Tel: +353 1 612 9900, Email: [email protected]

14 February 2014

Join us at IMMA for a family exhibition that will make you light up!

Family Exhibition: Light Rhythms
15 February – 6 April 2014

Over the mid-term break join us at IMMA for Light Rhythms, an exhibition about sound, light and line that is activated by families and young people of all ages. In this space you will encounter artworks you can interact with to make your own light, colour and sound installations.

Interactive installations in the exhibition ask us to stop and listen – consider how you can change the sound in the room; use your body to create your own Patrick Scott inspired image; can you find two Ghost Ships that glow in the dark, perhaps in an unexpected place?

Over the course of the exhibition we are running a series of free Saturday drop-in workshops called Sound Bites, whereby different artists will add a new interactive element to the exhibition and test it out live with visitors. Starting this Saturday 15 February from 12noon to 4pm, join artists Fionnuala Conway and Mark Linnane, and their interactive video, A rainbow in the palm of my hand, 2014. Inspired by the Patrick Scott exhibition, and in particular his Christmas cards, we invite families to create their own colourful light painting. Using the torches provided turn to the projection screen and start painting with the torch pointed towards the screen. What will you create with the rainbow in the palm of your hand?

Light Rhythms will evolve and change, so drop in, take part and remember to come again as you will find something new each time!

Artists showing in the exhibition are Sven Anderson, Karl Burke and Russell Hart, Fionnuala Conway and Mark Linnane, Dorothy Cross, Patrick Hughes, Slavek Kwi, Gavin Murphy and Liam O’Callaghan.

This exhibition has been inspired by exhibitions by artists Patrick Scott, Haroon Mirza and the site-specific neon work Line Writing by Vong Phaophanit, and we hope that you will visit these exhibitions alongside Light Rhythms.

The exhibition and all events are free.

Other Events

Explorer, Sundays, 2.00 – 4.00pm
Why not drop in to Explorer a weekly family workshop which will be responding to Light Rhythms for the exhibition’s duration.

Discussion, Friday 21 March 1.15 – 2.00pm
Pádraic E. Moore (writer and independent curator) leads an informal and speculative discussion on the art-historical context of Patrick Scott’s

For further information and images please contact Monica Cullinane or Patrice Molloy at Tel: +353 1 612 9900, Email: [email protected]

12 February 2014