In ‘Lips of Thomas’, Abramović characteristically pushes the body to extreme limits. The performance involves Abramović carving the pentagram onto her naked body. By using her body as a canvas, she is exposing avowedly political themes relating to physical torture. The religious symbol is highlighted in the drawing of blood.
|Medium||Framed black and white photograph with framed letter press text panel|
|Dimensions||Image framed 49.5 x 59.7 cm Text framed 26 x 18.4 cm|
|Credit Line||IMMA Collection: Purchase, 1995|
|Edition||Edition 1/16, 3 AP's|
|Copyright||For copyright information, please contact the IMMA Collections team: [email protected].|
For copyright information, please contact the IMMA Collections team: [email protected].
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