In this podcast listen to Alice Strang’s insightful perspective and discover how Rego uses the literary narratives as the starting point for her own imaginative visualisations and creations. Strang introduces a selection of plays, poems and novels that includes: Honoré de Balzac, Gillette or The Unknown Masterpiece; Jean Genet, The Maids; Martin McDonagh, The Pillowman; Blake Morrison, ‘Moth’ and Eça de Queirós, The Crime of Father Amaro. By talking through these literary sources Strang makes valuable connections to Rego’s unique alchemy of interpreting an author’s vision and mining it for elements that register with Rego’s own political and personal concerns of clerical corruption, morality, systems of class and the psychological complexity of family relationships.
The Paula Rego works discussed in this podcast are featured in the top banner of this webpage. Works includes: Paula Rego, The Maids, 1987, Acrylic on Paper and Canvas, 213 x 244cm; Paula Rego, Sit, 1994, Pastel on Canvas, 160 x 120cm (not featured in the IMMA exhibition); Paula Rego, The Pillowman, 2004, Oil on Mixed media on Paper, Collage and Canvas, three panels, each 180 x 120cm, (See Installation view at IMMA, and individual panels) and Paula Rego, Painting Him Out, 2011, Pastel on paper on aluminium 119.4 x 179.7 cm.
Presented in the context of Paula Rego, Obedience and Defiance at IMMA. This is a major retrospective by one of the most influential figurative artists of our time Paula Rego. Spanning Rego’s entire career from the 1960s, comprising more than 80 works, including paintings never seen before and works on paper from the artist’s family and close friends.
Paula Rego, Obedience and Defiance is curated by the distinguished art historian and former director of Whitechapel Gallery, Catherine Lampert. The exhibition premiered in the MK Gallery, Milton Keynes (15 June – 22 September 2019); was then shown at the Scottish National Gallery of Modern Art, Edinburgh (23 November 2019 to 17 March 2020) before traveling to IMMA.