This exhibition of works by Janet Mullarney, from the early 1980s to 2018, demonstrates the remarkable multiplicity of her career through a wide-ranging body of work. Although the works presented are diverse in scale, form and materials, they clearly belong to the distinctive world of Mullarney’s imagination. Her underlying concerns with the strangeness, darkness and fragility of the human condition also form a connecting thread.
Her desire for the exhibition is to create, “an environment of textures, dimensions and thoughts conceptually leading to a path concerning the enigma of humanity, and to the ambiguity of our intentions and self-knowledge, that I believe universal.”
Mullarney’s comments on the materials she uses reflect a deep interest in their individual powers. Earlier works in wood she describes as holding a human warmth, while she perceives wax as bound with sadness, papier-mâché humble and fragile, and video, “essential”.
The display forms part of the Then and Now series, a curatorial approach to exploring the IMMA Collection where artists are invited to place their early work among their current practice. This presentation of Mullarney’s work provides the opportunity to showcase the recent acquisition by IMMA of her sculptures All Ears (1995) and Domestic Gods I (1997).
Irish artist Janet Mullarney attended the Accademia di Belle Arti and Scuola Professionale di Intaglio, Florence. Incorporating a range of materials including bronze, wood, plaster, foam, cloth, glass and wax, her dynamic sculptural works reference religious iconography, art history and human relationships. Mullarney’s work is represented in public collections including that of the Arts Council, the OPW, and Dublin City Gallery The Hugh Lane.View Artist
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