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THEATREclub prepares for SUMMER RISING

Thu Jun 4th, 2015

In preparation for a performance at the 2015 SUMMER RISING festival, Doireann Coady & Grace Dyas of Dublin theatre collective THEATREclub, have taken up residence at IMMA’s studios. Here, they provide a behind-the-scenes look into the development of their performance piece.

04 June 2015
Hello IMMA blog readers,
We are Grace Dyas and Doireann Coady. We are part of a collective of eight artists called THEATREclub ( we work primarily in theatre. We have been invited to take part in a residency here at IMMA, in the beautiful studios, for the next two weeks. We will be making a participatory experience for audiences at the final summer rising event. We have been asked by Sarah Glennie (Director, IMMA) to look at the historical resonances of the building at the Royal Hospital Kilmainham as part of a process leading to the centenary next year of the Easter rising.

We are not interested in dressing up actors as soldiers and recreating the past, we are interested as makers in finding new ways to embody the meaning of history, of cultural weight and particularly of the post colonial ‘now’ of irish culture.

THEATREclub have long been interested in exploring the collective past in a theatrical context ( see previous work ; HEROIN, Twenty Ten & public art commission HISTORY).

We have developed a methodology for looking into the past, always with the hope of bringing it into the present. We don’t want to allow the spectator to step away from its reality. We want to place history and its inherited resonances at the centre of the experience, to bring it to the now ness of our present reality today. Central to that methodology, in keeping with that present ness, we commit rigorously to the intention to forget everything we already know. That contradiction is central to our creative process.

We started off here by meeting Paul, who works on site for OPW. We did a tour of the building and these where the things that made Us interested:
– in the gardens here there is the remains of a war horse, decorated by the queen of England;
– the commander General of the British army was based here on and off. Decisions about britains colonial wars were made on this site;
– photographs of soldiers on the grounds, their eyes, their stance. We are interested in what post traumatic memories are playing out in their minds, we are interested in giving a spectator some sense of empathy with that experience;
– the soldiers uniforms;
– the gardens as a site of healing;
– the fountain in the garden as a site of healing;
– the notion of healing in general;
– horses?

That’s all from us for now we will keep you posted on how we are getting on, we’ll be tweeting from @THEATREclub.
THREATREclub will perform Sunday 14 June during the Garden Rising 12pm-5pm. See the full SUMMER RISING programme here.


Up Next

Video. Brian O'Doherty, a new rope drawing at IMMA

Tue May 26th, 2015
"It (the work) forms itself and it dissolves itself as the viewer moves around the space. They find moments of clarity where everything just snaps into form and when they move away from that point then everything returns to a sort of chaos." Christina Kennedy, Senior Curator In this video, Christina Kennedy (Senior Curator, IMMA) provides an in-depth look at a new rope drawing by Brian O'Doherty. The work, entitled The doors to good and evil and the windows to heaven - Christina's World, Rope Drawing No # 124, 2015, was created specifically for the IMMA space and is on display as part of the IMMA Collection exhibition 'Fragments.'  Also included is a fascinating insight into the collaborative process between O'Doherty and Kennedy as they planned the work from the artists' studio in New York. Brian O'Doherty's The doors to good and evil and the windows to heaven - Christina's World, Rope Drawing No # 124, 2015, is on display as part of IMMA Collection: Fragments from 1 May to 26 July 2015. See full video here. Image: Brian O'Doherty, The doors to good and evil and the windows to heaven-Christina’s world, Rope Drawing # 124, March 2015, Site-specific installation, nylon cord, water-based house paint, Dimensions variable, Collection Irish Museum of Modern Art. Photo: De...

Important Notice


We would like to advise our visitors that our Main Reception area is closed for renovation from 22 April until mid-June. A temporary reception is open on the ground floor next to the original main entrance. There are three exhibitions to visit  Hilary Heron: A Retrospective; Derry Film & Video Workshop and Self: Determination: Artists Commissions. IMMA’s shop, café and gardens are all open.