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Camille Souter, 1929–2023

Off to the West, 1964

Souter’s lack of the strictures of a formal training served her well as she experimented and developed her own methods. In Off to the West we note the distinctive use of techniques of frottage, folding the paper when the paint is beginning to congeal as it dries and pressing the image so
that its form is mirrored on the opposite side. Another method was to place a sheet of paper or some other material into the wet paint and when it was almost dry, pull it away and reveal another layer.

MediumOil on paper
Dimensions Unframed, 57 x 80 cm
Credit LineIMMA Collection: Heritage Gift by the Bank of Ireland from the Bank of Ireland collection, 2008
Item NumberIMMA.2621
Copyright For copyright information, please contact the IMMA Collections team: [email protected].
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Image Caption
Camille Souter, Off to the West, 1964, Oil on paper, Unframed, 57 x 80 cm, Collection Irish Museum of Modern Art, Heritage Gift by the Bank of Ireland from the Bank of Ireland collection, 2008

For copyright information, please contact the IMMA Collections team: [email protected].

About the Artist

Camille Souter, 1929–2023

Camille Souter trained as a nurse before taking up painting in the mid 1950s. Though abstract in appearance, her paintings are based within reality and the everyday. Souter exhibited extensively since the 1960s, including major retrospectives at The Douglas Hyde Gallery, Dublin, in 1980, and the Ulster Museum, Belfast, in 2000. Souter received the IMMA Glen Dimplex award for contribution to visual arts in Ireland in 2000. She was a member of the RHA and was elected Saoi of Aosdána in 2009.

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