Madden’s work abstract at first glance, but generally with a figurative element, regularly carries references to her Irish background as well as to a personal history of family loss. The residues of the Celts in the Bronze Age and the nineteenth century Great Famine, have covertly informed her work and she also turned to Greek mythology as a vehicle to work her way through family tragedy. This can be inferred from her use of colour and composition in works such as ‘Night Paths’. The triptych format of this work, a common device for her, echoes its usage in Western religious painting, where it is often associated with the story of the Crucifixion. The paths referred to here, linking her house to her garden studio, are both inviting and intimidating by virtue of their association with cosmic forces.
|Medium||Oil on canvas|
|Dimensions||195.7 x 292.1 cm|
|Credit Line||IMMA Collection: Donation, Vincent & Noeleen Ferguson, 1996|
|Copyright||For copyright information, please contact the IMMA Collections team: [email protected].|
Irish artist Anne Madden spent her first years in Chile. Her family moved to Europe when she was four and lived in Ireland and London. She attended the Chelsea School of Arts and Crafts. In 1958 she married the Irish painter Louis le Brocquy. Madden’s semi-abstract work carries references to her Irish background as well as reflecting on life and death. She has exhibited widely, including a significant retrospective at IMMA in 2007 and a solo exhibition in 2023. She is a member of Aosdána.View Artist
Please note this is archive content and may not display optimally.
Welcome to IMMA. Our website may not work correctly in your browser. We only support IE 10+ (PC only), Chrome 60+, Firefox 55+, Safari (9+ Mac / 5+ PC).