‘how to make a refugee’ was filmed during the Kosovo conflict in May 1999 on a trip to Skopje, Macedonia and the refugee camps at Stenkovec and Čegrane.The Kosovo War (1998-99) was fought by the forces of the Federal Republic of Yugoslavia (Serbia and Montenegro), which had constitutional jurisdiction over the region prior to the war, and the Kosovo Albanian rebel group known as the Kosovo Liberation Army (KLA), with air support from the North Atlantic Treaty Organisation (NATO). In this work, Collins addresses the depiction of war victims by journalists and documentarians. It captures the moments before, during, and after a photo shoot organised by a team of journalists working in refugee camps in Macedonia. Their subject is a family of Kosovan-Albanian refugees and Collins’ video presents us with a behind-the-scenes look, commenting on the role of the camera in the construction and mediation of identity. His camera notices details that we do not normally see, such as constructing the frame or light-level readings being taken. The news photographer and crew discuss the clothes a wounded teenager is wearing, deciding whether he looks better with or without his baseball cap. We hear an interpreter translating instructions and questions from the crew; however, we learn very little information about the people in the film through this exchange, which is more concerned with arranging the families as a wedding photographer might, asking everyone to look at the lens. ‘how to make a refugee’ is the first video work made by Collins. It represents his longstanding interests in the media’s simplification and reductive categorisations of people in conflict zones, and the complexities of the relationship between subject and the camera. Eschewing the conventions of reportage, ‘how to make a refugee’ invites consideration of a network of incongruity, complicity and shame implicated in the production of images for political instrumentalisation and aesthetic consumption.
|Medium||Single-channel video projection: colour, sound|
|Duration||Duration: 12 min|
|Credit Line||IMMA Collection: Purchase, 2004|
|Copyright||For copyright information, please contact the IMMA Collections team: [email protected].|
British Artist Phil Collins studied Drama and English Literature at the University of Manchester and Fine Art at the University of Ulster. His films, installations, performative situations and live events foreground the aspects of lived experience, the radical potential of empathy and connection, and voices that have often been disregarded or suppressed. Currently based in Berlin and Wuppertal, Germany, Collins is Professor of Video and Performance at the Academy of Media Arts Cologne.View Artist
Please note this is archive content and may not display optimally.
Welcome to IMMA. Our website may not work correctly in your browser. We only support IE 10+ (PC only), Chrome 60+, Firefox 55+, Safari (9+ Mac / 5+ PC).