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Even Now, 2012, is a solo performance originally performed as part of PRESENT: THE ART OF ENCOUNTER commissioned by The Naughton Gallery at Queen’s University & Bbeyond, Belfast. The work consists of still images taken by Jordan Hutchings and 2 original English press photographs of the emergency services at the scene of the bombing at La Mon House. These are examples of wire or line photos that were sent by telecommunication lines back to various Press offices where the image was then developed in the office. These two photographs contain the press message attached and were taken by Malcom Croft.

Credit LineIMMA Collection: Purchase, 2021, 2021
Item NumberIMMA.4218
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Image Caption
Sandra Johnston, Even Now, 2012, Collection Irish Museum of Modern Art, Purchase, 2021, 2021

For copyright information, please contact the IMMA Collections team: [email protected].

About the Artist

Sandra Johnston b.1968

Sandra Johnston (Northern Ireland) has worked internationally since 1992, working predominantly in the areas of site-responsive performance and installation. Her actions have often involved exploring the aftermath of trauma through developing acts of commemoration as forms of testimony and empathetic encounter. Her practice-based investigation into issues of ‘trauma of place’ were extended as a PhD project entitled – Beyond Reasonable Doubt: An Investigation of Doubt, Risk and Testimony Through Performance Art Processes in Relation to Systems of Legal Justice published in 2013 with LIT (Berlin). She has been a co-founder and committee member of various artist-run collectives in Belfast, notably: CATALYST ARTS and BBEYOND. Some of her most recent performances and projects include: Here-to-Here, Notwithstanding, Fierce Festival 2019, Birmingham, UK (upcoming); The Biennial of Curitiba and p.ARTE Festival 2019 – Curitiba, Southern Brazil (upcoming); Asiatopia 20th Performance Festival, Bangkok Art and Culture Centre, Bangkok, Thailand (2018), Live Action 13, Gothenburg, Sweden (2018), Minimal, Poor, Present, as part of Glasgow International 2018, Scotland (2018), We Shout and Shout, But No One Listens: Art from Conflict Zones, CAMP/ Center for Art on Migration Politics, Copenhagen, Denmark (2017), Rise Up: Ending Racism, Poverty and War, part of Freedom City Newcastle upon Tyne, England (2017), Future Histories, Kilmainham Gaol, Dublin (2016), Border Crossings, SASA Gallery, Adelaide, Australia (2016), Lay Allude, with Alastair MacLennan, Bòlit Museum, Girona, Spain (2016), Tangible Live, EMMA Espoo Museum of Modern Art, Finland (2015), VIVA! Art Action, Montréal, Canada (2015).
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