Betsabeé Romero draws on elements of popular culture and the traditions of Mexican art in her homeland. Her work is concerned with themes of memory, identity and human migration. For Romero, culture is always in transit and she explores the identity and traditions that Mexican immigrants carry with them in journeys to the United States, often using cars and car parts as symbolic of this movement. While these journeys inform her work directly, she is interested in broader ideas around migration related to the human condition. She has written that “All of us are migrants between life and death. It is a migration that is inevitable and real”.
Amarillo al Cubo is reminiscent of the decorative cut-out papers traditionally displayed in small towns and cities during Mexican celebrations. This is a mixed tradition of Asian origin, brought to Mexico via Spain, which the artist describes as “A fusion made of acceptance and resistance, contribution and recycling. Endless movement in our culture of colonisation.” As with her other works, this installation acts as a window to the past and a safeguard of memory against time and movement.
|Medium||Screenprint on perforated paper|
|Dimensions||Sheet size, 101.2 x 99.5 cm|
|Credit Line||IMMA Collection: Diplomatic gift of the Federal Government of Mexico, 2011|
|Copyright||For copyright information, please contact the IMMA Collections team: [email protected].|
Betsabeé Romero attended the Ecole des Beaux Arts, Paris, and the National Autonomous University of Mexico. Concerned with themes of memory, identity and human migration, Romero’s practice draws on popular culture and the traditions of Mexican art. Her work has been exhibited worldwide including at the Museo Nacional de Arte Reina Sofia, Madrid, and the Museo del Barrio, New York, and is held in collections including the Daros Collection, LACMA, and the Museum of Modern Art of Houston.View Artist
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