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Souffle Continu
Chapel: 21 February – 19 April 2026

Sunflowers
Gallery 3: 21 February – 19 July 2026

Tarek Atoui is a Lebanese sound artist and composer based in Paris known for his innovative approach to sound, performance, and instrument-making. His work explores the physicality of sound and the act of listening, creating immersive experiences that challenge traditional boundaries between artist, audience, and instrument. Atoui frequently collaborates with musicians, instrument makers, and people with diverse hearing abilities, emphasising inclusivity and experimentation.

Atoui’s exhibition at IMMA is presented in two phases, comprising an installation, titled Souffle Continu, in the Chapel that focuses on the tactile quality of the sound, vibration, and movement of “wind instruments”; and in the gallery spaces Sunflowers presents a series of works inspired by the rhythmic and material traditions of Korean drumming.

For the installation Souffle Continu, Atoui has created Wind Houses that link hearing, touch, and sight. These are listening and performance spaces which also serve as musical instruments. As is the case with a flute, air is divided by a bevelled board, thus producing low sounds that resonate throughout the body and in the surrounding space. The organs within the space are sculptural installations that combines research into church pipe organs with the sonic experiences of deaf people. It consists of a network of tubes which connect a computer with an air blower, and various organ modules which interact with each other in such a way that their sounds constantly adapt to each other.

In the gallery spaces Atoui’s new works Sunflowers are influenced by Korean drumming tradition, the spaces will be designed as both listening space and places for the audience to make their own material through workshops. Atoui’s work plays with improvisation, activation and listening that immerses the audiences in unprecedented sensory and cognitive experiences. His work opens up new channels of imagination and knowledge that are challenging and embrace experimentation.

The exhibition will be punctuated by a programme of live performances and workshops. Tarek Atoui will perform on 20 February as part of the exhibition launch. A second performance by invited musicians Natalia Beylis, Áine O’Dwyer, Meabh McKenna, and Willie Stewart takes place on 21 March. 

Presented in association with the French Embassy in Ireland.


About the Artist

Tarek Atoui (Beirut, Lebanon, 1980; lives and works in Paris) is an artist and electroacoustic composer who explores the medium of sound and the way it gives shape to perceptions through dynamic installations, experimental acoustic environments, and collaborative performances. The artist works with composers and craftsmen from different countries to invent complex instruments with strong sculptural halos. By bringing together a wide range of materials and knowledge he tests the acoustic properties and the unique ways in which elements like bronze, water, glass and stone transmit and reflect sound. Using custom-built electronic instruments and computers, Atoui references current social and political realities, revealing music and new technologies as powerful aspects of expression and identity. Education and social connection are integral aspects of the artist’s practice that often collaborate with different local communities and invites the visitor to interact and experience his multi-sensory environments. 

Tarek Atoui artworks activated
by Natalia Beylis and Áine O’Dwyer
Sat 21 Mar, 2pm - 3pm

Natalia Beylis, Aine O’Dwyer, Willie Stewart, and Meabh McKenna activate Tarek Atoui: Souffle Continu 
Date: Saturday 21 March
Time: 2pm – 3pm
Location: IMMA Baroque Chapel

Admission is free. Advanced booking is recommended. Book here.

About the Event:

Tarek Atoui invites Irish musician Natalia Beylis to lead a performance with Willie Stewart, Aine O’Dwyer and Meabh McKenna within his installation, Souffle Continu, at IMMA’s Baroque Chapel. This event takes place as part of the artists’ the first solo exhibition in Ireland. 

In tandem with this performance, visitors are invited to explore Sunflowers in Gallery 3 (Courtyard), a complex sound environment merging Korean drumming tradition and electronic soundscapes. 

Tarek Atoui’s artworks explore the physicality of sound and the act of listening, creating immersive experiences that challenge traditional boundaries between artist, audience, and instrument.

About the Artists: 

Natalia Beylis has released over 40 albums between solo works and collaborations and has appeared on numerous compilations. A sonic storyteller and multi-instrumentalist based in rural Ireland, her work mirrors her surroundings: creaking trees, farm animals, vocal samples taken from conversations with her neighbours, the north-westerly breeze, creatures rusting in the hedgerows, strange noises from the bog at dusk and rainfall. She regularly records on a variety of traditional instruments as well as non-musical sound sources: her solo compositions and improvisations are a mix of garbled tape collage recordings, manipulated sounds of seemingly mundane objects, eerie mandola mantras and dreamscape piano voyages.  

Áine O’Dwyer is a multi-disciplinary artist, a musician, composer and performer whose work is informed by both the conceptual concerns of sound-art and traditional compositional techniques, embracing the broader aesthetics of sound and its relationship to environment, time, audience and architecture. She has created works internationally for large-scale and intimate settings which often allow for both planned and chance events to co-exist. Recent presentations include Old Songs (2025), a performance installation commissioned by Oscillation festival, Brussels and Sing in the Dark (2024), a voice and Acousmonium performance at Archipel festival, Switzerland.  

Willie Stewart is a percussionist, filmmaker and record label owner based in Co Leitrim, Ireland.  He has played in numerous bands since the early 90’s. Through never ending exposure to music, creative people and the great planet earth, he has adopted a free improvisational and circular rhythmic style of drumming.  Willie continually works to create more with less by utilising a very minimal kit setup of standard drums alongside unconventional found objects in a bid to push sonic limits and explore percussive rhythms from the landscapes of his imagination. He has been known to sit and talk to a photograph of Milford Graves with his morning coffee. 

Méabh McKenna is a multi-instrumental noise maker from the East of Ireland, utilising the pedal and early Irish harp, voice, and electronics,  Drawing on years of experimentation and collaboration, their live performances have evolved from traversing the eclectic worlds of traditional, classical, and early music, intuitively weaving them with contemporary and electronic elements. 


Exhibition Guide 

 

Exhibition Guide

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Additional Resources

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