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Feminist practices of researching and archiving minor histories, engage with the past to activate and develop their feminist, anti-colonial, anti-fascist and anti-capitalist politics. Alex Martinis Roe, artist, researcher and author of To Become Two: Propositions for Feminist Collective Practice.

Alex Martinis Roe’s practice seeks solidarity between different positions and generations, as a way of participating in the construction of cultures of difference. Making film installations, publications, workshops and dialogic public events, we gain insight into the artist’s use of transdisciplinary methods that combine writerly, performance and filmmaking methods with feminist and decolonial historiography, ethnography, and political organising.

In this lecture, Martinis Roe presents her expansive working methods that include: an ethnographic approach to archives, where communities guide Martinis Roe’s encounters with artefacts; using pedagogical formats to experiment with ways to learn about, tell and disseminate feminist concepts, methods and stories; using video as a collective transmission of embodied knowledge; working with different positionalities towards a plurality of values and narratives. Central to all of these methods is the importance of relationships: a commitment to radical relational processes of co-creating alternative systems of value and meaning. This relational politics starts from difference and creates kinships and alliances that exceed the dominant social order.

This opening address is followed by a drinks reception. This is the first of several events programmed as part a three-day symposium programme, How shall we do this? This leads onto the all-day symposium at IMMA on Friday 27 February 2026, from 10:30am, the programme concludes with a practice-based workshop on Saturday 28 February from 11am at IMMA. Read full details of these events on the main symposium webpage here.


Programme Details

This is the first of several events programmed as part of a 3-day symposium programme, How shall we do this? This leads onto the all-day symposium at IMMA on Friday 27 February 2026, from 10:30am, the programme concludes with a practice-based workshop on Saturday 28 February from 11am at IMMA.

*Please note places are limited for the all-day symposium on Friday 27 February 2026 at IMMA. A separate ticket is required to secure a place and to attend. See programme details and related activities on the main symposium webpage here.


About Speakers

Alex Martinis Roe (Melbourne) is an artist researching genealogies of feminist political practices of difference.

Exhibitions include: Storytelling Liberation, La Trobe Art Institute, Bendigo (collaborative solo, 2025) and part of the same project featured at Transmediale, Berlin (2025); Dancing in the Blind Spot, Villa Romana, Florence (2025); There are other skies: an international lineage of feminist art practices, Scottsdale Museum of Contemporary Art, Arizona (2025); Protest is a Creative Act, Museum of Australian Photography (2025); The Daughters’ Trilogy: Chapter 1: Matriarchy, Taxispalais – Kunsthalle Tirol (2024); Transfeminisms, Mimosa House, London (2024); Coming Home, Perth Institute of Contemporary Art (solo, 2021-22), Unlearning Australia, Seoul Museum of Art, Seoul (2021-2022); 1 Million Roses for Angela Davis, Albertinum, Dresden (2020-2021); Alliances, GfZK – Museum of Contemporary Art, Leipzig (solo, 2018), Fabriques de contre-savoirs, Frac Lorraine, Metz (2018) and Sex, Taxispalais – Kunsthalle Tirol (2018). Her project To Become Two (2014-2018) was co-commissioned as a series of solo exhibitions by If I Can’t Dance (Amsterdam), Casco Art Institute (Utrecht), The Showroom (London) and ar/ge kunst (Bolzano) and has also been exhibited at Badischer Kunstverein (Karlsruhe) and Samstag Museum (Adelaide). In 2018, To Become Two was presented at the Centre George Pompidou, Paris and was the recipient of the Kunstpreis Europas Zukunft [Future of Europe Art Prize] and Archive Books (Berlin, Milan, Dakar) published her monograph To Become Two: Propositions for Feminist Collective Practice in 2018. The book details her extensive research into historical feminist methodologies in Europe and Australia, forming a proposal for a contemporary, transgenerational feminist politics.

Alex is a former fellow (2013-2016) of the Graduate School, University of the Arts Berlin and holds a PhD (2011) from Monash University, Melbourne. She is Senior Lecturer in Art and Head of Drawing and Printmaking at the Victorian College of the Arts, the University of Melbourne, Australia.

Moderator / Researcher / Convenor
Alessia Cargnelli is a visual artist and researcher based in Belfast, north of Ireland, and currently Research Ireland Enterprise Post-Doctoral Fellow at the Irish Museum of Modern Art (IMMA) and the National College of Art and Design (NCAD), in consultation with the National Irish Visual Arts Library (NIVAL). Alessia is a former co-director of the artist-led initiative Catalyst Arts Gallery (2016-2018). She completed a BFA with Hons in Visual and Performing Arts at IUAV University and a MA in Contemporary Art History at Ca’Foscari University in Venice, Italy. In 2024 she completed her doctoral research at the Belfast School of Art, with research on feminist-led women-artists’ advocacy groups connected with the island of Ireland.

In 2023, Alessia was appointed post-doctoral researcher at the National Irish Visual Arts Library (NIVAL), based in NCAD; with a pilot project focused on expanding underrepresented categories in the library’s collections. Along with artist Emily McFarland, she is co-founder of the feminist-led artist-run initiative Soft Fiction Projects (2018-ongoing). Alessia is also a member of Array Collective, a Belfast-based group who, since 2016, creates collaborative actions in response to the socio-political issues affecting the north of Ireland. Array Collective was the winner of the 2021 Turner Prize.


Supporters

Funded by NUI Grant Scheme for Early Career Academics, IMMA Talks, Research Ireland, and NIVAL.