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Royal Hospital Kilmainham
Dublin 8, D08 FW31, Ireland
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William Crozier’s early work bursts across the canvas with an intensity of purpose and a raw energy, capturing something of the fear, anxieties, and also the ambitions, of the post-war period. Returning to the London art world into which Crozier arrived in 1957, this talk will situate Crozier’s painting within the artistic and intellectual circles which shaped Crozier and his early work. Crozier was not part of any one group, rather his early career was shaped by a diverse and international constellation of characters and relationships.

By following Crozier to London in the 1950s and early ‘60s –a journey which takes us via Glasgow, Paris, Dublin, Folkstone and Essex – we can map something of a more expansive history of post-war painting and connections to the work of other artists such as Lucian Freud and Frank Bowling.


Sarah Victoria Turner is Deputy Director for Research at the Paul Mellon Centre for Studies in British Art in London. She is also Visiting Senior Lecturer at the Courtauld Institute of Art. Sarah’s research interests encompass many aspects of British art from 1850 to 1950 and she has published her work in exhibition catalogues, academic publications and online. In 2018, she will co-curate a major exhibition with Mark Hallett at the Royal Academy in London to mark 250 years of the Academy’s Summer Exhibitions. She is co-editor of the multi-award winning British Art Studies, an open-access online journal

About the Artist

William Crozier 1930–2011

This Scottish-born, Irish artist (b. Glasgow 1930, d. Cork 2011) is best-known in Ireland for the lyrical landscapes he made close to his home in West Cork from the mid-1980s. Indeed he has created some of the most iconic works of the Irish landscape made in the latter half of the twentieth century. An elected member of Aosdána as well as honorary member of the Royal Hibernian Academy, William Crozier represented both Ireland and the UK internationally in numerous museum collections.
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