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About the Collection

The IMMA Collection is a unique resource which is made available to the public through a vibrant programme of temporary exhibitions and projects. Collection Exhibitions may explore the work of an individual artist, or address a theme or historic period.


The Prince of Homburg is a solo exhibition of new works by Patrick Staff. Featuring a video installation and series of works in sculpture and print, the work reinterprets 19th century German writer Heinrich Von Kleist’s play The Prince of Homburg.

Opening with a disoriented Prince sleepwalking in royal gardens, the original play, written in 1810, develops by swift degrees into a personal nightmare that questions the limits of state control and individual freedom. While often interpreted as an assertion for the might of authority, many consider Kleist’s work to be a passionate defence of free will. Kleist’s death by joint suicide with his close friend in 1811 contributed to an ongoing fascination with this complex play that continues today.

In their new body of work, Staff reconfigures the play to focus on the symbol of the exhausted, sleepwalking figure as political dissident. Presented across IMMA’s galleries as a video installation with accompanying sculptural and print works, the exhibition considers cycles of violence, desire and repression that are embedded in contemporary cultural and political crises. Through a range of mediums, Staff explores dream-like transgressions of law and order and the fraught spaces where queer desires manifest.

Through an unconventional narrative structure, Staff’s video cuts together a narration of Kleist’s play with interviews, conversation, found footage, hand painted animation and song. In a series of fragmented ‘daytime’ sequences, a range of artists, writers and performers reflect on contemporary queer and trans identity and its proximity to desire and violence. Intercut with flashes of the sun and sky, city streets and text, subjects include Sarah Schulman, Che Gossett, Macy Rodman and Debra Soshoux. Each of these segments is punctuated by ‘night-time’ diversions, narrated by writer Johanna Hedva in the dual role of both narrator and Prince. Loosely following the structure of Kleist’s play, the sleepwalking Prince struggles with his somnambulant habits, and the invasion of the unconscious mind into flesh and bone. In half-remembered dream images, the narrative unfolds through flashes of nocturnal gardens, high visibility reflective clothing, neon signs and a lugubrious ballad.

Throughout the gallery spaces Staff has installed a sculpture resembling the type of decorative, defensive architecture that surrounds many colonial and royal properties. Protruding from the walls of the gallery above head height, objects, lights, fabrics and furniture are impaled and discarded on its teeth. Also on display are a series of new, large scale hand-processed photogram prints, collecting images and objects from The Prince of Homburg that have been developed in complete darkness. Through flashes of coloured light, items such as a lost glove, knives, blades and chains reveal themselves.

Through a varied, interdisciplinary and often collaborative practice comprising video installation, performance, text and sculpture, Staff considers ideas of discipline, dissent, labour and the queer body. This new work is the product of several years’ research and is Staff’s most ambitious and large-scale project to date, bringing together languages of film and live performance with sculptural and photographic works to explore the how history, technology, capitalism and the law have fundamentally transformed the social constitution of our bodies today.

Two new texts by Isabel Waidner and Johanna Hedva for part of the exhibition in the galleries and are available for audiences to take away. These texts were commissioned by DCA as part of their publishing programme.

The Prince of Homburg is curated by Rachael Gilbourne, Assistant Curator: Exhibitions – Projects & Partnerships, IMMA, in collaboration with Eoin Dara, Head of Exhibitions, Dundee Contemporary Arts, Scotland. The work is co-commissioned by IMMA and DCA. Supported by Arts Council England, Elephant Trust, UK, and Commonwealth & Council Gallery, USA. Video work produced by Spike Island, UK. Special thanks to producer Ali Roche and Humber Street Gallery, UK.

The exhibition was presented at DCA, Scotland, from 22 June – 1 September 2019.

Preview: Fri 20 September, 6 – 8.30pm

 

About the artist

Patrick Staff (b.1987, Bognor Regis, England) is based in London, UK and Los Angeles, USA. Their work combines video installation, performance and publishing. They have exhibited extensively, gaining significant recognition and awards for their work, which is held in private and public collections internationally.

Staff received their BA in Fine Art and Contemporary Critical Studies from Goldsmiths University of London in 2009. They completed the LUX Associate Artists Programme and studied Contemporary Dance at The Place in London, in 2011.

Their work has been exhibited at the Museum of Contemporary Art, Los Angeles (2017); New Museum of Contemporary Art, New York (2017); Los Angeles Contemporary Exhibitions (2016); Contemporary Art Gallery, Vancouver (2016); Serpentine Galleries, London (2015); Chisenhale Gallery, London (2015); Tate Liverpool, England (2014); Monte Vista Projects, Los Angeles (2012); Tate Modern, London (2012); and Whitstable Biennale, Whitstable, England (2012), among others. Staff’s film work Weed Killer was recently acquired by the Museum of Modern Art, New York.


About the Artist

Patrick Staff b.1987

In film installations, performance, and text works, Patrick Staff cites the various ways in which the queer body is embodied, interpreted, and regulated. Their new body of work explores exhaustion and sickness as political states; the fraught spaces where queer desires manifest; and dream-like transgressions of law and order.
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