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Royal Hospital Kilmainham
Dublin 8, D08 FW31, Ireland
Phone +353 1 6129900

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Programme Details

Living Canvas at IMMA runs daily during Museum opening hours, with a later ending time of 6.30pm.

Derek Jarman, The Angelic Conversation, 1985
8 Dec 2024 - 8 Jan 2025

Derek Jarman,
The Angelic Conversation, 1985
Colour, sound; 78mins
©1985 Derek Jarman / BFI / Courtesy of the BFI National Archive

About the film
Intense, dreamlike, and poetic, The Angelic Conversation (1985) is one of the most artistic of Derek Jarman’s films. With his painter’s eye, Jarman conjured, in a beautiful palette of light, colour and texture, an evocative and radical visualisation of Shakespeare’s love poems. Of the 154 sonnets written by Shakespeare, most were written to an unnamed young man, commonly referred to as the Fair Youth. Here, Judi Dench’s emotive readings of 14 sonnets are coupled with ethereal sequences; figures on seashores, by streams and in colourful gardens. The disruption of these magical scenes with images of barren and threatening landscapes echoes perfectly the celebration and torment of love explored in the sonnets. Shot on Super-8 before being transferred to 35mm film, the unique technical approach results in a striking aesthetic, with Coil’s languorous soundtrack completing the intoxicating effect.

The Angelic Conversation is one of three films – namely Caravaggio (1986) and Wittgenstein (1993) – that represent highpoints in Jarman’s career and are perhaps the most enduring in their appeal and relevance to contemporary audiences. The films were made with the BFI Production Board, whose aim was to foster innovation in British filmmaking, thus providing a natural home for Jarman’s artistic sensibility.

About the artist
Derek Jarman (1942-1994) was an English film director, stage designer, diarist, artist, gardener, political activist and author. He was educated at the University of London and at the Slade School of Art. In 1967 Jarman exhibited in Young Contemporaries, Tate Gallery, London (prizewinner); Edinburgh Open 100, Lisson Gallery, London and Fifth Biennale des Jeunes Artistes, Musée d’Art Moderne, Paris. Jarman’s first work in the cinema was as a set designer on Ken Russell’s The Devils (1971), selected set designs include Savage Messiah (1972) and The Rake’s Progress (1982) with numerous designs for stage and ballet. Jarman’s first films were experimental Super 8mm shorts, his first full-length feature film Sebastiane was released in 1976, followed by selected films Jubilee (1978), Angelic Conversation (1985), Caravaggio (1986), The Garden (1990) and Edward II (1991).

Selected solo exhibitions: Sarah Bradley’s Gallery, London (1978); Edward Totah Gallery, London (1982); ICA, London (1984); Richard Salmon Ltd., London (1987) and Whitworth Art Gallery, Manchester (1994). Jarman also wrote several books, including the autobiographical Dancing Ledge (1984) and two volumes of memoirs, Modern Nature (1992) and At Your Own Risk (1992). Derek Jarman’s Garden, which documents the creation of his extraordinary garden at Dungeness was published in 1995.


RDS Visual Art Awards, RDS in partnership with IMMA
9 - 22 Jan 2025

As part of Living Canvas at IMMA, IMMA is thrilled to partner once again with the most important platform for visual art graduates in Ireland, the RDS Visual Art Awards. Presenting a specially curated programme of film and moving image work by past Visual Art Awards artists, the screenings highlight key questions of this moment. The artists deal with issues from the urgency of the global climate crisis to intimate struggles of personal identity, domesticity and loss, and from the politics of The Irish Question to the potentially liberating yet threatening role that the digital realm plays upon humanity. The programme spans a period of nine years of the RDS Visual Art Awards, from 2015 to 2023, and includes new and recent work as well as pieces shown previously as part of the Visual Art Awards exhibitions.

Featuring artists Karolina Adamczak, Bassam Issa Al-Sabah, Nadia J. Armstrong, Jill Beardsworth, Orla Comerford, Rachel Daly, Ara Devine, Aoife Dunne, Fiona Gordon, Michelle Hall, Elaine Hoey, Maria Maarberg, Aisling Phelan, and Nikolas Ryan, this programme not only celebrates the relevance and power of these artists’ voices but also the significant impact and influence of the RDS Visual Art Awards in Ireland and the vital exposure it provides for emerging visual artists as they move into early professional practice and beyond.

About the RDS Visual Art Awards
The RDS Visual Art Awards consists of a curated exhibition opportunity and a prize fund of over €40,500. The programme offers the most comprehensive assessments of graduate work in Ireland undertaken on a thirty-two-county basis. The competitive process is transparent, highly regarded and harnesses the expertise of some of the best visual arts professionals working in Ireland. Inclusion in the exhibition has a proven positive impact on the accelerated career progression of young artists. The RDS Visual Art Awards is a flagship RDS Foundation project and is part of the wider RDS Arts Programme which provides a platform to support the transition from student to emerging artist encouraging the pursuit of a career in visual art, craft and classical music.

List of Artists
Karolina Adamczak, Bassam Issa Al-Sabah, Nadia J. Armstrong, Jill Beardsworth, Orla Comerford, Rachel Daly, Ara Devine, Aoife Dunne, Fiona Gordon, Michelle Hall, Elaine Hoey, Maria Maarberg, Aisling Phelan, and Nikolas Ryan.


Viewing information

Seating: Some seating is available and there is lots of space on the museum’s lawn to enjoy the films. You are also welcome to bring your own seating or a picnic blanket to watch in comfort.

Accessibility: The main viewing area is on a grass lawn, which might not suit wheelchair users. There is an area with road surface, tucked into the front, righthand side of the screen where wheelchair users can view films.

If you have any questions during your visit, please ask a member of our Visitor Engagement Team at the Main Reception located in the Courtyard, or within the Garden Galleries located behind the Living Canvas screen.

Content: Many of the films are suitable for all. Where films contain material that some viewers may feel is unsuitable, there will be an advisory notice on the website, the app, and at the beginning of the film onscreen.


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