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Marcel Duchamp, 1887–1968

Rasée L.H.O.O.Q., 1965

In 1919 Marcel Duchamp created the Dadamasterwork and icon of 20th-century art when he drew a moustache and beard on a colour reproduction of Leonardo da Vinci’s Mona Lisa. He gave his creation the irreverent title L.H.O.O.Q., which, when spoken quickly,sounds like the French for ‘she has a hot ass’. During the course of Duchamp’s career he would re-visit this work several times and make copies or alterations. On this occasion it is seen on a playing card mounted on the preview dinner invitation for the exhibition entitled: Not Seen and/or Less Seen by Marcel Duchamp / Rrose Selavy organised by the Cordier & Ekstrom Gallery on 19 January 1965. Here, Duchamp has come full circle, shaving (rasée) his initial 1919 conception and leaving Mona Lisa as she was. One of about 100 copies, this invitation is addressed to Mr & Mrs Brian O’Doherty.

MediumPhotographic reproduction on invitation card
Dimensions Unframed, 13.7 x 20.8 cm
Framed, 43.6 x 36.5 cm
Credit LineIMMA Collection: The Novak/O'Doherty Collection at IMMAGift, The American Ireland Fund, 2014
Item NumberIMMA.3853
Copyright For copyright information, please contact the IMMA Collections team: [email protected].
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Image Caption
Marcel Duchamp, Rasée L.H.O.O.Q., 1965, Photographic reproduction on invitation card, Unframed, 13.7 x 20.8 cm|Framed, 43.6 x 36.5 cm, Collection Irish Museum of Modern Art, The Novak/O'Doherty Collection at IMMAGift, The American Ireland Fund, 2014

For copyright information, please contact the IMMA Collections team: [email protected].

About the Artist

Marcel Duchamp, 1887–1968

French painter, sculptor and writer Marcel Duchamp first received critical attention at the 1913 New York Armory Show for his painting ‘Nude Descending a Staircase’. He produced his first ‘readymade’ the same year. The best-known of those, ‘Fountain’ (1917), is considered a turning point in the history of Modernism. With Man Ray, Duchamp founded the Dada movement in New York in 1919. From the 1940s, Duchamp claimed to have given up art in favour of competitive chess.

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