William Scott’s spare still life compositions, such as ‘Poem for a Jug, No.11’, are among his most powerful works. The focus on a select number of motifs in the still life allowed Scott to develop a carefully structured pictorial language in which abstract qualities compete with the representational subject.
|Medium||Oil on canvas|
|Dimensions||31 x 41.4 cm|
|Credit Line||IMMA Collection: Gordon Lambert Trust, 1992|
|Item Number||IMMA.376 GL|
|Not on view|
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