The spaces in the photographs are all libraries and the works were made at a time when the issue of storage on the internet was new. I was interested in the Freudian analogy of desire for knowledge being inextricable from sexual desire. The shapes are taken from the ‘I Modi’ engravings which were originally published in a book of sonnets by Pietro Aretino. Infamous for their explicit descriptions of sexual scenes; they were not couched as mythological narratives and were considered unacceptable. Those in power were anxious that knowledge would leak out to the people through readily available books. The original copper plates of the ‘I Modi’ engravings were destroyed in the Sac of Rome. There are tiny fragments left in the British Museum. Hermione Wiltshire
|Black and white photograph laminated onto aluminium
|Unframed, 116 x 170 cm
|IMMA Collection: Loan, Weltkunst Foundation, 2000
Clare Lymer photography
For copyright information, please contact the IMMA Collections team: [email protected].
English artist Hermione Wiltshire attended Central Saint Martins College of Arts and Design, London. Combining photography and sculpture in her art practice, Wiltshire references the history of art and contemporary culture to consider questions of the representation of women and self-image from a feminist perspective. Wiltshire served as senior lecturer in the Photography Department at the Royal College of Art, London. Her work is represented in many public and private collections.View Artist