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Ruth Vollmer, 1903–1982

Archimedean Spiral, 1973

Ruth Vollmer was a designer and sculptor fascinated by mathematical forms and the principles of geometry. In Archimedean Spiral, 1973, she presents the spiral form named after the Greek mathematician, carefully mapped in red on ‘x’ and ‘y’ axes, the spacing emphasised by green concentric rings. Archimedean spiral shapes are seen occasionally in ammonite shells. Vollmer had a particular interest in the forms of shells and in 1973 had a solo show at the Betty Parsons Gallery in which she showed several works dealing with the spiral. Having spent much of her earlier career designing toys and models for children and window displays, her sculptures were often made with materials experienced in these roles and were interactive and made to be touched.

Sol LeWitt, a friend who shared her passion for mathematical ideas, admired her work, stating that it was not sculpture but ‘ideas made into solid forms. The ideas are illustrations of geometric formulae; they are found ideas, not invented, and not changed’.

MediumCrayon on paper
Dimensions Unframed, 43 x 36 cm
Framed, 46.5 x 36.5 cm
Credit LineIMMA Collection: Donation, Novak/O'Doherty Collection, 2015
Item NumberIMMA.3948
On viewArt as Agency, IMMA Collection: 2025-2028, 08/02/2025 - 07/01/2027
Copyright For copyright information, please contact the IMMA Collections team: [email protected].
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Image Caption
Ruth Vollmer, Archimedean Spiral, 1973, Crayon on paper, Unframed, 43 x 36 cm|Framed, 46.5 x 36.5 cm, Collection Irish Museum of Modern Art, Donation, Novak/O'Doherty Collection, 2015

For copyright information, please contact the IMMA Collections team: [email protected].

About the Artist

Ruth Vollmer, 1903–1982

German sculptor and designer Ruth Vollmer moved to New York in 1935 where she began designing window displays for department stores. Fabricated in a range of media including wood, metal, ceramic and acrylic plastic, Vollmer’s sculptural works from the 1960s and 1970s combine exacting craftsmanship and a fascination with mathematical theory. She exhibited frequently at the Betty Parsons Gallery, New York, and influenced younger American artists such as Eva Hesse, Donald Judd, and Sol LeWitt.

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