Helen Cammock works across moving image, photography, writing, poetry, spoken word, song, performance, printmaking and installation. An interest in histories, authorship, storytelling and the excavation of lost, unheard and buried voices lead Cammock to map her own creative processes on to social and political situations. Cammock’s work draws on material from Nina Simone, Philip Larkin, James Baldwin, The Housemartins, Walter Benjamin, Franz Fanon and others to reveal the way in which we construct our own personal collage of influences and reference points to establish a sense of self, context and history.
Recent screenings include the Serpentine Cinema Series and Tate Artists Moving Image Screening Programme. Cammock has exhibited at Cubitt, London; Galerie Futura Alpha Nova, Berlin; The Tetley, Leeds; Open Source Contemporary Arts Festival; Hollybush Gardens, London; 198 Contemporary Arts and Learning, London; and Void, Derry, Northern Ireland. Her written work has been published in several journals and magazines. Cammock is currently working on a project with Serpentine Galleries; Novel, Reading International and a new commission with Film and Video Umbrella, Touchstones Gallery and The Photographers Gallery. In 2018 Cammock was awarded the Max Mara Prize for Women which includes a forthcoming exhibition at Whitechapel Gallery, London and Maramotti Collection, Italy.